Secretum Cista

Jesse Born, 30 copies, 55 lbs., 13.5” x 20.5” x 11.5”

Well, I had my fun making my introduction to the Cista – a minute or two of video does a better job of showing how pretty the chest is; that and its back is more than enough to whet your appetite.

So I figured I would talk about how it is as a puzzle experience – I am of course not going to spoil anything, but I will also describe some of what it does in its fully reset position (which I assure you isn’t much).

In case you haven’t guessed, the box does not actually emit a bright glow accompanied by the sounds of the heavens and glory (my film degree affords me the ability to produce such amazing movie magic) – it also required a signature at delivery, which was not shown in my otherwise completely accurate depiction of its arrival.

Once I had ooh-ed and aah-ed enough for the time being, I set about exploring. I had already determined that all drawers were locked, except for the circular one in the center, which opens freely (although perhaps not completely) as seen in the vid. This drawer is dark and cylindrical, with a number of squares running down its length, contrasting wood (purpleheart?) filling it partway, which can be seen as it rotates more or less freely. Other than that, no drawers will open, but many do feel unique; some have more give than others, or there may be other differences you can sense with just a bit of a tug on the handle.

The back is behind a glass door (with a neat magnet-based lock) but while you can see quite a bit of the inner workings of the chest, casual observation does not provide any clear spoilers. However, after a fairly thorough, albeit somewhat cursory, exploration of the chest overall, it becomes pretty clear where to begin. With a bit of time and patience, I begin to have some initial success, which leads to further discoveries, which then eventually leads to forking paths with suspect dead ends. I’ve made it through about 1/3 of the chest (which definitely seems to be getting progressively more difficult), and I have had to backtrack to go in a different direction, or maybe do something again but in a different way for a different result.

Looking at the pictures, I had come up with a few ideas for things that would be likely to produce results. I don’t know if this was by design, but Jesse managed to use all of these ideas in the first few drawers; it feels like he wanted to get rid of these early on and the chest ramps up in difficulty following these initial successes. And even these ideas are integrated into larger, more complex mechanisms the integrate or conceal tools or other aspects that interconnect these comparatively simple steps into the larger whole. It does not feel like you are taking on isolated puzzles; so far, 7 of the 8 drawers I have solved relate directly to the solution of at least one other drawer in some way (and of course, it is entirely possible that the 8th does as well).

Interior of Drawers (top four rows in order – all drawers in a row share the same woods)

This is sequential discovery in all its finery – SD is a term that we love to use, as it is a favorite among many of us puzzlers (for good reason); some puzzles have SD elements as part of a lock or other take-apart (many of which are absolutely fantastic puzzles that can be as good as or better as any other puzzle you can bring to the table) – fewer, though, have SD running through its veins (I’m thinking of puzzles like Slammed Car, Turtle Trip, Dark Fairy Door, Puzzleduck Pastures, Rex Rossano Perez’s coin release puzzles, Where’s My Hammer?, Three Wise Bolts, and so on).

As I proceed through the puzzles, I have already found several tools and have had to go back to go forward. My progress so far has been made over the course of several days; steps have been discovered by me in fits and starts, requiring equal parts exploration, experimentation, and exposition (daaaaaamn that’s some fine alliteration). Jesse’s workmanship is amazing and any cosmetic imperfections are entirely insignificant and endearingly inevitable in a handmade chest. In fact, the chest has been deemed fit for public consumption and has not been banished upstairs to my office (although I do plan on bringing it up once solved as the humidity os more closely controlled there).

I am currently at a wall – I’ve unlocked 8 drawers and am now good and stuck. There are some things that I know do something somehow, but damned if I know what. Which is perfect – I am confident that it will continue to confuse and create contentment as I consider the controlled consequences and considerable options concealed by the content-creating craftsman’s contemplation of a cunningly convoluted puzzle (wow that alliteration got way out of con-trol).

I reached out to Jesse (who is always quick to respond to offer assistance or clarification if sought) and he gave me permission to shoot a solution vid. I generally don’t make (or watch) such content because I have learned that you may well get your hands on a puzzle you thought was unattainable, but considering the fact that the 30 people who have a copy of the chest are likely to carry 55 lbs. of puzzle to a puzzle party, I may yet put something together showing what I’ve managed to figure out so far.

Overall Grade: The illustrious and rarely awarded Presley

“[D]espite the justified reliance on the Sinatra as the coolness quotient upon which said methodology is based, there must simultaneously exist an indicator to be used should a commodity’s value be calculated such that the Sinatra be rendered insufficient; in this event, the Presley is the more apparent and precise control to represent the coolness being commodified insofar as it exists in excess of the standardized Sinatra metric.”

Quantified Cool, John Maynard Keynes, 
Chairman of the World Bank Commission, 1944

One comment

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s