Untitled (Big Red) Box & Untitled (Two Knobs) Box

Dee Dixon, DEDWood Crafts

I recently posted about the box of Boxes I received from Dee and wrote about the first, Spirit Box, as it is currently available for purchase on Dee’s site. And now:

As (sort of) promised, I bestow upon thee

my puzzled ramblings on boxes two and three.

Untitled (Big Red) Box

Dee had told me that there would be a big box coming and provided ample warning that, no, said big box could not be kept. After failing to convince him that he actually meant the cardboard box the puzzles were shipped in, Dee told me that the big box was actually the first puzzle box he had ever made, and therefore held sentimental value. While pretending to respect his feelings, I began hatching a long-term plan of subtle manipulation to eventually be granted ownership of it….. (crap, is he reading this?…uh………) And on a totally unrelated subject, I think it is great that he wants to hold so tightly to the past; we all know never to stop clinging to the objects that tie us down to our old selves and let go, lest we keep growing as people (…subtle).

For reals, Dee granted permission for me to go ahead and spoil Clifford, the Big Red Box, since there is only the one copy – and, anyway, it is the type of box that knowing what it is doesn’t really tell you how to do it:

Basically, it is a large maze, covering all four sides and the bottom of the inside of the box, with a couple of external bits that do this or that. Most of the puzzling entails solving a pretty extensive blind maze in which your best guess goes on and on, while you’re doing it; this makes it last a little longer and lets you laugh a little longer…. longer with Big Red! 😉

Ahem… the maze is pretty extensive and had me going around and over, Hobbiting there and back again, before figuring out that I’d gotten to where I might be able to open it – and I gotta say that opening it really did double the pleasure and double the fun…… 😛

My actual point here (I’m pretty sure there is one somewhere) is that I think the inside is really cool as it displays the maze on all 5 sides under clear acrylic, so you can see everything you just did (unfortunately, it is rather difficult to get a good pic as the glare is intensified significantly in photos, but it looks great irl). And, it leaves close to a shoebox-sized space open for use (hopefully not for anything you will ever need quickly). The large size of the ball and channels helps immensely, creating significantly more auditory and tactile feedback than I suspect a smaller maze might provide.

I told Dee that I think it could make for a pretty fun series for the maze-lovers of the puzzling world: he could add traps, dead ends, maybe windows and some dynamic tricks, etc… basically turn it into something like a wooden revobox, which kinda sounds cool. Blind mazes aren’t everyone’s cup of tea, but opening it was a fun challenge and the red-topped, black maze under the clear acrylic was just neat. This was made before Dee really knew as much about puzzling in general, and I think it was maybe a bit of a proof of concept to see if he’d enjoy doing it – luckily for us he did, as it was just several more months of ideas and prototypes from there to Blinded II and WMH.


Untitled (Two Knobs) Box (prototype)

Returning to his recent run of boxes with various protrusions on its sides, the final Box in Dee’s box of Boxes was a prototype of his next release (let’s call it TNB for “The New Box aka Two (k)Nob Box”).

This third entry in Dee’s Protrusion Series (not actually a series) is not really like either Space Case or Portal, although they are all largely blind puzzles with some amount of external controls: I enjoy puzzle series (of which these are not a part) that share an aesthetic while offering totally different mechanisms and experiences (such as Brass Monkeys 1-4 from Two Brass Monkeys, Kel Snache’s Tea Boxes, Karakuri Small Boxes, Bill Sheckel’s Book Boxes, the coin release puzzles by Rex Rossano Perez, as well as those by layerbylayerpuzzles, and so on).

TNB has contrasting woods similar to Spirit Box, with a maple body, sapele knobs, and a lovely monkeypod top (the final box may well use different woods). Sized at 6″ x 3″ x 4″, it fits nicely among the majority of Dee’s boxes. The pair of knobs on the narrow sidesh makes me wonder if Dee will next design a box with a single knob, giving the series (not a series) a nice balance (i.e. Portal = 4, Space = 3, TNB = 2, Non-existent Box = 1).

Unlike Space and Portal, the top of the box is flush with its body, giving it a somewhat unassuming appearance, especially as compared to its more flashy, star-struck sibling. At first, one knob will rotate freely, while the other will not move more than a few mm. I could hear something knocking about inside as I began experimenting with it. I was able to find the first couple of steps fairly quickly, but it would be some time before I found the next, well-hidden step. Progress continued as such: find something, wander about trying to put it into context, find myself going in circles, discover something else, me a couple solid aha’s along the way.

While you cannot see inside the box (except, of course, for you, Mr. Kent), there is ample feedback to get a feel for what’s inside. Once open, you can see the majority of the box’s mechanisms, but one part I found to be particularly tough was not so easily sussed out; such subtlety gave me a good post-solve aha as I poked and prodded a bit before I could fully grok what was happening.

The reset is straightforward and the mechanisms are quite fluid and reliable: once mastered, you can re-solve it reliably and I’d be surprised if there are any problems down the road. I found the solve to be really satisfying, so much so that I kept at it until I could solve it quickly enough to soothe my inner Fonzi (‘eyyyyyyyyy). While writing this, I’ve solved it at least another 10 times: I hadn’t solved it in a few weeks, so the first time took me a bit to remember everything, the next few let me lock it down, and the last few were just for fun.

As this is still an unfinished design, I had some feedback for Dee as I did feel like there are opportunities to add a bit more complexity to the design (to which Dee agreed, as he had been thinking the same thing). I had a couple vague ideas, so if there is anything you really like about the puzzle, clearly it will be due to the Yoda-like guidance I provide this particular puzzling pa-Dee-wan, rather than Dee’s extensive woodworking experience and increasingly honed puzzle-design skills (obv). I figure he still needs some time to get the box shined up and grab some bits of fancy wood and then this box is gonna move ya, (e.g. move you up, move you out, the box is gonna move ya just don’t pop it in your mooouuuuth…. I really should stop that).

Gum commercial allusions aside, I anticipate that the final version will make for a great puzzle, with any additional elements building upon what is already a tricky challenge and fun solve. I certainly plan on buying a copy of it when it becomes available, and look forward to whatever added trickery it will contain.

If you like what you read about Large Mauve and want a box just like this box (ok, that joke might be a stretch) I’d recommend harassing Dee about it, as I suspect he might explore the concept further if there was sufficient interest.

If you like what you read about TNB, just chillax and give it some time; Dee and his puzzlelves are hard at work on the more complex follow-up to the playful (but not too difficult) Spirit Box, which is still available now (like now now, as I write this, not the future now when you are reading this, at which time they may no longer be available, especially as there will be multiple future nows as this is read by multiple you’s….. for more thought-provoking ideas, please contact your local dispensary or go here).

And if you like what you’ve read at all, there may be something wrong with you: Get help.


Puzzles that Make You Think of Gum Grade: Five Sinatras

(click here for more information on the Sinatra Scaling System, (c) John Maynard Keynes, 1944)

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