Lalalalalalalalalalalaaaaaa…… The Tippenary Mystery Tour is coming to take you away… coming to take you away, take you awaaaaaaaaay!
I have been politely and patiently cyberstalking Jack Krijnen for some time now, particularly after learning that he had begun working on his second puzzle box; after some months of his newest creation being teased, I was happily surprised to get an email from him with the chance to get a copy of this new, limited box release of 30 copies. Needless to say, my answer was a resounding “yes, please!” and the package was soon on its way across land and sea and into my eager, puzzling hands.
TTMT is a truly fun and unique puzzling experience: the only negative is that it is so hard to talk about it without giving anything away as you are initially able to see only a very small portion of the puzzling the box ultimately contains. Jack described it by saying that it is “sequential (puzzle) discovery, it is riddle solving, it is n-ary, and in the end there is a challenge waiting.” This is, of course, all perfectly accurate, but the unique, genre-blending nature of its multi-tiered puzzle experience is hard to communicate; if only there were a puzzler capable of speaking at length without communicating much of anything at all.… perhaps someone with a good (?) sense of humor and an arbitrary rating system….
The box is pretty sizable, and Jack puts the majority of its interior space to use. Looking at pics, you can discern how to first approach its initial puzzle, and such discernment is likely to yield results; however, the puzzle is going to subtly play with expectations before granting progress and this was true for me from the start. I’d soon descended deeper into the box, arriving at its next challenge, which is a really fun blend of riddling and multiple puzzle types that makes for a very original challenge.
There were several ways to approach this next section, and all of them were going to require some good, old-fashioned thinking (and more than a little note-taking) to make sense of it. Figuring out what means what and what needs to happen is only half the fun, as execution is at least as challenging. I’d found that while some of my puzzling had been correct, there were some things I had missed; going back to the drawing board, I’d found that I had been correct about one part, but for the wrong reason – it took more notes and thinking to make sense of this before I could re-execute a modified version of my puzzling plan and find I had successfully navigated through this next level of the puzzle. Some of my initial deductive leaps had paid off, but needed to be further corroborated by straight puzzling to break through this section.
The next section wasn’t too difficult for me, mostly as it is a puzzle type with which I have a decent amount of experience and knew how to tackle. Having passed through, I momentarily thought that I had completed the puzzle, having discovered….. something cool. However, after puzzling in circles for a time, I realized that the box is hiding even more interesting puzzle trickery! I spent quite a bit of time here, going around and around, wondering if I had missed anything and what it could have been, before semi-stumbling into a laugh out loud aha that had me figuring out yet another puzzling secret, which would lead me to yet another puzzling secret or two before I would finally have solved the box in its entirety. After several great puzzling moments, this finale was surprising and ensured that a really cool and original puzzle was something absolutely memorable and unique.
While the first rule of TTMT may well be to not talk about TTMT, I must say that it wonderfully manages to bring together so many different types of puzzles into one, cohesive whole: the various puzzles and challenges are distinct but interconnected and it almost feels like being taken on a tour of the various types of challenges mechanical puzzling can offer, wrapped up in a pretty box of maple and mahogany. The box connects well with some of Jack’s past work, which links past and present in a cool way; as someone who is still in his first decade of legit puzzling, this was a really nice feeling: he created the ability for us to connect to some puzzling history in a direct and tangible way that provides the box with a greater context, which I appreciated and enjoyed. Now if I could only get my hands on a Jack in the Box…….. 😉
Playin’ With That (Parody of Baby Got Back by Sir-Mix-a-Lot)
Early Preview Version
Lyrics by fivesinatras All tracks performed by fivesinatras
Original music by Sir Mix-a-Lot
I have spent entirely too much time over the last week writing and recording “Playin’ With That,” a puzzle-themed parody of “Baby Got Back” by Sir-Mix-a-Lot (full lyrics bellow).
This is a pretty rough version of the song and I hope to find some puzzlers who want to help me improve it; I am especially in need of someone to lay down some record-scratching and maybe help with the mix (and the music itself would certainly benefit from some further work). If you are interested, comment below and send me a DM.
I plan on re-recording the vocals as this was recorded late at night and I didn’t want to wake my son up and incur his adolescent wrath (just kidding: he’s cool).
Music Video Help!
I think it would be fun to make a music video featuring members of the puzzling community: you-tubers, bloggers, collectors and designers could submit video clips lip-syncing / dancing to the song, which I would then edit into a music video. This would, of course, require puzzlers to want to participate as I’m not going to make a video of me dancing for 4 minutes (you’re welcome).
Copyright Disclaimer: This is a parody of a well-known song and is protected under Fair Use law; I have performed all tracks myself (instrumental and vocal) and am contrasting the sexual and cultural meaning of the original song with the mores of the mechanical puzzle community 😛
If you would like to learn more about the legal protections afforded to musical parodies, I would be pretty surprised; nonetheless, you can check out this 1994 Supreme Court decision denying Roy Orbison’s case against 2 Live Crew (this is comedy gold, people: Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569 (1994)).
If you want to help with improving this song or to participate in making a music video, please comment and send me a DM.
My SoundCloud profile also has songs that a friend and I made in the mid-1990’s, so if you want to hear some lo-fi indie-folk-punk, check out “A Man Dies Slow” and “My Life is Lived.”
Oh my god, PT, look at that burr
Its level’s so big, it’s gonna take
those puzzle guys a whole weekend.
But ya know who can even solve
They only try to solve ‘em because
they look like they're impossible, k'?
I mean, that burr, its just so big.
I can’t believe it’s not even around,
it’s sold out there.
Those dudes are obsessed.
It’s just so, sad.
I like big burrs and I cannot lie
You other puzzlers can’t deny
When a burr shows up on CD’s page
With pretty woods to my taste
I press done, having paid enough
Cause I know that burr is tough
Gonna get sucked into payin’
I’m hooked and I can’t stop playin’
Oh maybe get the one
And take some pictures
Discord friends tried to warn me
That burr you got’s from (Osanori)
Oh, come get puzzlin’
You say ya gonna need more hands?
It’s co-movement, I’m usin’
BT but the file’s confusin’
Won’t ask cubic dissection
to hell with the solution
I’ll get it
Got me goin’ straight into debt
Puzzle will be played
Level 90 is what it said
30.8.9. dot what
That aha’s coming up
So puzzlers (yeah)
Your collection got some burrs?
Tell em’ don’t shake it (shake it)
Don’t shake it (shake it)
Don’t shake that wooden burr
Playin’ with that
(made of 6 exotic woods, son)
Playin with that
(made of 6 exotic woods, son)
The solution ain’t been found,
it's too big,
And then I’m throwin’ a fit
I just can’t help myself,
wanna buy every puzzle
When Haubrich’s live, I’ll
Make ‘em all my own
I’m stuck (trouble what) stuck stuck
Ain’t talkin’ bout my fails, boy,
Cause wooden puzzles ain’t ya toys
Don’t want em’ scratched
or loose, see
Cause Reassembly’s trouble
Yeah it’s a struggle
I’m watching Mr. Puzzle
He’s solving YT videos
I’m on Baxter now, bidding on those
Prices still kinda low
M..l’s got bids tho’
A word to the six-piece Cutlers
I want to get all ya
I might cuss or hate ya
But I gotta be fake sayin’ I ain’t gonna
Come and get hints from
Someone who’s got it done
I want a DM, spoil tags on
Some puzzlers solve it and list it
But I’d rather it stay to replay
List is long, I want on
Cyberstalking ya now it’s on
So puzzlers (yeah)
Wanna go with disassemblies? (yeah)
Then go log on, have no doubt,
New puzzles are comin’ out
Playin’ with that
Playin’ with that
Pelikan’s in the mail
So many puzzles by Alfons
It’s hard to make my selection
Level 36, 24, 36
Gonna be a hard disassembly
NPSO wanna surprise ya
With a puzzle but just can’t find one
Ask on the Discord group
cause we don’t mind ya
I have a box, I don’t want none
Unless you got burrs, son
You can do SD and boxes
But please don’t lose that burr
Packin’ puzzles are gettin’ sold
Boucher’s designs are gold
When they list it, I don’t leave it
Gotta order quick to retrieve it
No wallets gonna stay fat
When you order all of that
Gotta package, it’s full
and the burrs are kickin’
And I’m thinking about stickin’
To all the ones in the blogs I read
Ya can’t get everything
Wanna try, I can’t resist a
Juno design, like this burr
SD Pluredro don’t you dis
slammed car is on my list
At 2 pm he’s gonna post ‘em
Refreshin’ to get most of ‘em
Cause puzzlers, the burr you found
Ain’t always gonna be around
All them unicorns cost a lot
So which ones have you bought
Playin’ with that
Playin’ with that
It’s wigglin a little
but I built it right back
It’s wigglin a little
but I built it right back
In case you’re not aware, Ninomiya’s boxes are awesome. While he unfortunately was not as prolific a creator as others at the Karakuri Group (I wrote more about the Group here, if you’re interested), he still managed to make some of the most beautiful boxes produced by them (which is saying a lot). Even more unfortunately, he is not producing puzzles anymore; other than the occasional yosegi bookmark (which are great), I am not aware that he is making anything else (which is rather unsurprising as he is now 91 years old and has pretty much retired after about 75 years as a woodworker).
Recently, I managed to acquire one of his last Karakuri creations – a piece that I have been hoping to see for some time now. The appropriately named “Burr puzzle (with Yosegi ball inside)” includes one of very few burrs released by the Karakuri Group, which in and of itself makes it pretty cool. However, Karakuri are puzzle box-makers, and so, sure enough, the burr is trapped inside a puzzle box! That’s cool, too. If it ended there, I’d be happy with the puzzle. But Ninomiya adds a nice touch, adding a yosegi ball trapped inside the burr, which is of course trapped inside the box (which is now kept on my shelf).
The puzzle is quite large: the box is about 5.75″ and the twelve-piece burr is about 4.5″ (the ball is about 2″). This was the first thing I noticed, followed quickly by the excellent (and expected) workmanship. This is the 4th Ninomiya box I’ve acquired (alongside a few bookmarks) and the quality of his work continues to blow me away.
The box has circular windows on each of its 4 sides, allowing you to see the center of the burr with the ball held inside, perfectly placed for said perspective to be possible. Atop the box, there is a short, wooden hashtag (a/k/a tic-tac-toe or ye olde number sign), comprised of contrasting woods and featuring a small yosegi square (delightfully tipped on a corner to offset the square center of the symbol in which it sits). The piece is able to spin and its dimensions clearly establish that it was designed to allow the burr to sit atop it, the outer squares placed at the exact dimensions of the four pillars of the burr; the spin allows you to view all sides of the burr, which is, again, pretty darn cool. This allows all aspects of the puzzle to be seen clearly when kept on the display platform (as I prefer to keep it).
The box isn’t overly difficult, with 3 or 4 steps to open; I found the burr to be quite original (although admittedly my experience with burrs is lacking when compared to many other puzzlers) and challenging enough to be fun but not so hard as to be frustrating. It has some unexpected moves to disassemble, and reassembly requires just the right amount of dexterity, focusing more on good old logic to get you back together. The ball is made with Japanese marquetry, with four “slices” of alternating woods, which brings the overall aesthetic together nicely, combining the light wood of the box with the dark wood of the burr. And of course, the ball also complicates reassembly of the burr, which must largely be constructed around it. Both the box and the burr feature Ninomiya’s hanko.
I’m quite pleased to have been fortunate enough to obtain a copy of this puzzle and have not been at all disappointed in finally getting my hands on one of my (admittedly many) Karakuri unicorns… now if I could just get a copy of my most unicorny of Ninomiya unicorns: Desk Diary (he said, blatantly promoting his own self-interest in the hopes that one of his fives of readers has a line on a copy).
Overall Grade: 5 Sinatras
(no hamsters were hurt in the making of this post)
By now, you may have heard about the awesomeness that is Jerry McFarland’s Fidget Burr (you can check out my review here); since enjoying the pleasure of solving Fidget Burr, I have had the good fortune of obtaining and solving two more of Jerry’s puzzles: the older Quadlock I and the quite new Burrlephant 3. Both are excellent puzzles, offering unique takes on burrs by adding take-apart / trick box-type elements to the mix, with perhaps a dash of sequential discovery.
Quadlock 1 is a squashed cube made of 19 individual burr sticks, originally made by Jerry in 1992, and remade in 2008 and 2011 (possibly again since then). It is a 4 x 4 x 3 “cube” that measures 3.5″ x 2.6″ (after 2011, Jerry began making a slightly smaller version). It is made of Walnut, Mahogany, and Maple, although there are some versions made of alternate, exotic woods, as well. I have two copies of this excellent and quite challenging puzzle, which only goes to show that I truly think it is a great puzzle: they are both copies of the earlier, larger versions (one has the serial number “14 JM 94” and the other copy has “10 JM 92” – I am not certain if this means that they are from 1994 and 1992 but I will update once I ask Jerry about it).
If you have solved interlocking puzzles, you will know that many feature some sort of key piece, which must be discovered and moved before you can hope to progress. Quadlock 1 takes this a few steps further, with four pieces that work together to form a lock, preventing any further movement. After fumbling for some time, I found that it is better to approach this almost as I would an attempt at lock-picking, as I was better able to conceptualize how I might find my way past. As you are working on these early steps, you have no indication of what it might lead to: the other pieces permit no movement, whatsoever, forcing you to add some tension in various places as you struggle to find the correct movements and configuration of the four locking pieces (again, as one might a lock). You are unlikely to succeed early on without some amount of close observation, finding the correct moves step by step rather than all at once. It has only been a few weeks since I solved the puzzle for the second time, and I am already confused as to how I can repeat the process, showing the puzzle’s excellent replayability.
Once you find your way past this first wall, you are rewarded with some interesting movements, opening the puzzle up enough to permit the removal of some pieces. You are not done, of course, as you must now discover steps necessary to fully disassemble the puzzle, although you have now successfully navigated the main challenge. From this point, you will still need to think and explore as some of the next steps are certainly non-trivial, albeit perhaps not as difficult as the opening sequence of moves. Having found these next steps, the puzzle comes apart in a way that is conceptually similar to Fidget Burr, while consisting of totally different arrangements; at this point, disassembling it completely is pretty straightforward, leaving you with a nice pile of lumber.
My first time through, I chose to let the pieces sit for a day or two before returning to it for reassembly. I was able to reassemble the puzzle (mostly) without the assistance of burrtools or the instructions Jerry provided with the puzzle. His instructions are quite welcome, as they provide clear assistance without actually showing you specific the moves (as with burrtools); it will tell you which pieces need to be manipulated but leave it to you to find how this must be done (which at times is certainly not totally straightforward).
There were a couple particularly tricky aspects to reassembly – the main locks were actually not so difficult in reverse, but I found a couple steps midway that had me turned around, requiring more than a little Ikea-style mid-process disassembly; the pieces have enough non-uniformity to create the need for careful observation lest you find yourself painted into a corner.
I found this puzzle to be an excellent interlocking burr cube (squashed or otherwise) – the addition of a “trick” locking mechanism making it especially fun. I hope to eventually collect Quadlocks III and IV (II was essentially a 23-piece version of I, and very few copies were made, so my completist urges are that much more likely to go unfulfilled).
I am clearly a fan of Jerry’s work – I have pieces he made for Bill Cutler that show his skills as a craftsman, and his own designs blow me away. Burrlephant 3 is another example of Jerry’s ingenuity as a puzzle designer, with multiple trick phases belying its playful exterior. First off, it is important to distinguish this from Don Closterman’s Elephant puzzle; I’ve not done that puzzle, but it appears to be a kumiki-like 3D assembly, and, as such, is nothing like Burrlephant in anything other than a cursory look at its appearance. Closterman’s Elephant could be an amazing puzzle, I’ve no idea, but I am mostly sure that it does not contain the mechanics of Jerry’s that separates his puzzles from most interlocking burrs.
Burrlephant 3, in case you’ve not noticed, looks like an Elephant, complete with trunk, tusks, eyes, and big ole ears. It is an interlocking figure, comprised of 27 interlocking pieces of Jatoba, Bloodwood, Bubinga, and Ebony, as well as a few additional magnets and metal pins. Not counting its ears or tusks, it is a sizable 4.4″ x 5.5″ x 2.2″, making it significantly larger than Quadlock 1 or Fidget Burr.
When I started working on it, I quickly found that there looks like there is at least one aspect that appears similar to Fidget Burr, which a halfway close inspection of the photos will show; however, the mechanisms are not at all similar: Fidget Burr has an easily accessible button that leads to instant action, whereas Burrlephant requires much more exploration to make any sort of progress. You are able to find some movement quickly, but this does not appear to do anything helpful.
Burrlephant 3 essentially consists of 4 challenges, some requiring several steps to complete. Only after solving the fourth challenge, which rewards you with the key piece containing the serial number, are you are able to fully disassemble the puzzle into its 29 distinct parts. The puzzle succeeded at misdirecting my focus for some time, before I was able to fall upon the first challenge, decidedly the easiest of the four as trial and error will most likely get you there before too long. The second challenge requires some thought, and develops a better understanding of certain aspects of the puzzle, before leaving you with a few pieces in your hands and no idea how to proceed.
This third challenge is my favorite and is the one on which I spent the most time (mostly doing the same few things over and over while incredulously shaking my head and wondering it it was broken – spoiler: it wasn’t). You must first use what you know about the puzzle to determine what needs to happen next before you can hope to do anything else. Once you have considered the what, the how is going to take even more thought; trial and error will help to eliminate your options, but I found I was only able to find my way through by engaging in some good old critical thinking. Having found the solution, I am impressed by how simple and elegant it is to do despite having been so difficult to figure out. This part of the puzzle is pretty ingenious and relies on some precise designing and craftsmanship to accomplish. I actually repeated the step a few times, just because it made me happy – always a sign of a good puzzle.
At this point, it is fairly clear what you need to do for the fourth challenge; accomplishing this task is a bit tricky, and I was able to figure it out before too long, some trial and error pointing me in the right direction and leading me to the removal of the key piece. Having removed most of the tricky parts of the puzzle in overcoming the various challenges, complete disassembly is now fairly straightforward.
The puzzle comes with Jerry’s description and solution, in text and pictures, and Jerry has again labelled some of the pieces to aid in reassembly; he stepped it up a bit from Fidget Burr, etching them into a few pieces that could easily get mixed up otherwise. Sitting back and looking at the rather enormous spread of pieces before me, I nonetheless felt confident that I would be able to reassemble it without too much frustration; there is one part that is a bit tricky, due to the necessary placement of some magnets, but a bit of dexterity gets me through, allowing me to return to reassembling the main challenges of the puzzle.
Overall, Burrlephant 3 is an excellent and super-fun burr puzzle with elements of sequential discovery and take-apart trickery that earns it the right to stand apart from other puzzles, unique in its cross-genre design and its slick and playful appearance. In many ways I prefer its quiet, contemplative rhythm to Fidget Burr’s in-your-face action; either way, it is just another example of Jerry’s craftsman-informed ingenuousness, which has me craving his next creation.