Akio Kamei & Kagen Sound Walnut, English Sycamore & Cherry 10cm x 10cm x 10cm
Amazing Puzzle Collaborations: Episode II – Get Back in your Homes (because there’s a tornado coming… not because it sort of rhymes with “Attack of the Clones”)
Hundreds of days ago, in the puzzling days of yore (i.e. 2021), Karakuri announced that they would be releasing a limited run of a new box co-designed/made by Akio Kamei and Kagen Sound. This collaboration was enough to make many a puzzle go bonkers: Kamei is The Godfather of the KCG, its oldest living member and all-around awesome designer & craftsman; Kagen is the only non-Japanese member of the Karakuri Creation Group (KCG) and also an all-around awesome designer & craftsman. Therefore, according to Puzzle Algebra: X + X = 5S, where X is an all-around awesome designer & craftsman and 5S is… well, hopefully you know what that is if you’re reading this.
Tornado Box is a beautifully smooth cube, broken along the center by a carefully crafted imperfect line. It is silky smooth to the touch, its beautiful walnut grain offsetting the two-tone interiors. It is quite a bit lighter than I had expected, particularly for a decent-sized 4″ cube. These two master craftsman collaborated on the design, as the two halves must work together to open both sides.
Kagen crafted the lovely walnut box along with the lighter, sycamore interior, sending it to Kamei to add in the cherry interior on the other side (for more information on the puzzle’s background, check out Boxes & Booze). It is important to note that separating the two halves does not require any puzzling, so showing the interior faces is not a spoiler (it is shown on the original KCG description, which FYI does have a bit of a spoiler in the written description).
Unlike most Karakuri boxes, this was announced as a limited run (other boxes could conceivably be remade at any time, although the majority, of course, are not). Despite a hefty price tag, it unsurprisingly still received more interest than there were boxes, pushing it to a member lottery, which I sadly did not win. I watched from afar as the boxes began arriving in the homes of fellow collectors, a single tear slowly slipping from my eye…
Until, out of the bottomless void that is the interweb, there ascended the kind and caring Vonsch (from the MP Discord), offering to loan it to me! I am constantly amazed by the level of trust and generosity of the MPD and the puzzling community at large. Needless to say, this was a bad idea that earned me one free puzzle box! I hope this can be a good lesson for Vonsch in the future.
Buuuuuuut seriously, I was taken aback by this kind and unsolicited offer, gratefully accepting and asking what I might have to loan in exchange (not that there was a presumed quid pro quo, I just hoped I could return the favor). Soon, there arrived the tell-tale blue box containing a Kamei Karakuri creation and I set to work. If you read these write-ups, you may have noticed that my enthusiasm for puzzles oftentimes surpasses my skill: Tornado, like oh so many others, would take me a pretty darn long time to solve. In my defense, I was even more cautious and obsessively careful than usual – this may have hindered some early progress as I kept asking Vonsch if I could do this or try that. Vonsch took it all in stride, possibly enjoying my ignorant flailing about as I went through idea after idea.
Eventually…. aha! Once more crowned the smartest person in the world, I managed to move small bits of wood that I previously could not move! I stood and shouted at this mere block of wood: “Son of Jor-El, kneel before Zod!” before remembering that not only had I not just escaped from the Phantom Zone, but I had only solved the first half of the puzzle, its solution beautifully hidden, an elegant mechanism that is probably even harder to craft than I realize.
I knew that the solution to the other half of the puzzle somehow relied on having solved the first but I nonetheless would struggle to discover it, continuing to bug Vonsch with my paranoid, high maintenance ruminations. I had some ideas (it happens every now and then) and narrowed them down until developing a fairly clear picture of (more or less) what needed to be done. And so……. aha! I found yet another graceful movement that can likely only be achieved by craftspeople of this caliber. Despite repeating the solution a few more times, I am still not exactly sure how one half works – I mean, I know what to do, I’m just not sure why it works! A nice mystery to think on, sure to be a future conversation that will leave me a little bit smarter (clearly I can use it). In the meantime, Tornado will soon be back with its rightful owner and I will return to failing to solve something else.
Following up on last year’s post about the 2020 Karakuri holiday boxes, I figured I’d make a thing of it and do it again for 2021. (If you don’t know about the Karakuri holiday boxes and membership, you can learn more here).
Getting my box of boxes in mid-December was a cause for bittersweet celebration; I knew it was destined to sit unopened for a couple more weeks until X-Mas, when I would see each of the 7 boxes for the first time. Having not yet learned my lesson, I hoped that it might spark the teeniest bit of interest in my 15 year-old son (it did not); it did, however, continue to develop the interest of my 81 year-old Cuban mother-in-law lol (she thinks they’re super cool, which of course they are).
If you did not sign up for one or more of the boxes, maybe this will help you decide which are worth going after this year – as always, they will pop up here and there on the puzzle auctions, typically growing in value the further from December we get until, seemingly suddenly several seasons hence, they sometimes start selling for obscene sums. And for good reason: if you have yet to learn this life lesson, Karakuri boxes are cool… I know I will be getting another round of 7 come Xmas 2022.
And now: on to the show (in alphabetical order by maker’s first name):
Akio Kamei – Pile of Disks 3
Unofficially known as the Egg McMuffin, Kamei’s newest creation consists of 5 circular layers of maple, zelkova and rosewood, laid out symmetrically. As the third in a series, this Pile of Disks is leaner than its siblings at 80mm x 30mm, his hanko displayed in the center of one side. Surprisingly, this ended up being one of the last two I wiould manage to solve – I had thought that the solution was somewhat obvious but it nonetheless took me an embarrassing amount of time over several days of fidgeting with it in front of the tv, growing increasingly certain that there was “something wrong with it.” As is typical when such a thought comes to the mind of a puzzler, there was not, I am just an idiot (probably not a surprise to anyone who reads these rambles). While the basic mechanisms were what I had thought, there was a small but essential nuance that had to yet to slap me in the head. I had begun to think that the solution was annoyingly precise but, in fact, it is quite elegant, with a final touch that gave me a welcome smile after how hard a time it had given me. Having opened it, I did it several more times, shaking my head at my own ineptitude and smiling at the subtle design choices that are the difference between trivial and tricky.
Hideaki Kawashima – Moonlit Night
Following up on 2020’s Moon, Kawashima continues his lunar legacy in honor of the two lunar eclipses seen in Japan (and elsewhere) in 2021 (there is a circle on each side of the box). Its size of 72mm x 75mm, along with the colors of the magnolia, walnut and zelkova, lets it sit well with some of his other!similar boxes, most particularly its predecessor. While I did not have too much difficulty with this box, I did manage to go in circles for a bit before an aha let me find what I’d been missing. The maker’s hanko is hidden in one of its two compartments (presumably one for each eclipse). Despite not being too hard, I like the theme and idea: it is cool to be able to see what the maker was thinking and feel the connection he was going for. Holiday boxes arrive without names or descriptions, which have only recently been shipped out to participating members; these gave me a better appreciation for this box in particular, with an aesthetic that captures the concept rather brilliantly.
Hiroshi Iwahara – Fluctuation Box
One of the cooler looking boxes of this year’s holiday haul, Fluctuation has a springy, tactile feel that makes it fidget friendly and rather fun to solve. Somewhat unique in the nature of its trickiness, the box may take a bit of practice to master. The alternating layers of maple and chanchin look great inside the contrasting top and bottom of walnut and (something? – I may have confused some of these but I think I have it correct) and a little knob adorns the top.
At 160mm x 170mm x 66mm, it is the largest of this year’s boxes and is a development of Iwahara’s 2006 holiday box, Covered Chimney, with which it shares a similar aesthetic.
Osamu Kasho – Little Shark
Little Shark might be my favorite of the year, both adorable and the most difficult for me to solve! Its diminutive size of 80mm x 115mm x 45mm did not stop it from taking me weeks of picking it up and trying the same couple of things over and over before I finally did something a bit differently than (I think) I had tried before, earning me the biggest aha of the holiday. It is always a pleasure to get the kind of laugh-out-loud Karakuri moment that compels me to share my glee with my not-particularly-interested wife (who allows for a quick “that’s nice, babe” before turning back to whatever show was trying to distract me from my puzzling).
Knowing the solution, I can fully appreciate the excellent craftsmanship that hides it (one of the main reasons I absolutely love the KCG. It is also adorable, the walnut, magnolia and dogwood maintaining a consistency with Kasho’s Whale boxes: Whale, Baby Whale and Whale Type I, but with evil shark eyes contrasting cutely with the friendly, rounded eyes of the whales.
Shou Sugimoto – Reversible Box
Sugimoto’s box is another of this year’s personal (and probably public) favorites, with a unique solution that sees the box becoming more beautiful as you progress, an interesting design choice that demands repeat play. These changes are surprising and have me tempted to leave the box in mid-solve for display (my spoiler sensitivities are of course too strong to permit this, allowing for a resistance to temptation rarely exhibited by my life choices).
It is a bit smaller than most Karakuri boxes at 59mm x 97mm and compensates with a beautiful use of maple, chanchin, magnolia, wenge and Japanese torreya, some of which you may notice is not visible in its reset state. When first working on it, there was an initial worry that the solution was just painfully obvious, with early progress that turned out to be a bit misleading, functioning instead as a segue into a beautiful sequence that leads into the final steps (the last of which eluded me for a bit, partly due to my desire to repeat the middle steps and partly as it is well-hidden). The final step shows the precision with which KCG boxes are pretty much always made. His hanko is inside and is one of the cooler marks used by KCG members, a more stylized use of Japanese characters.
Yasuaki Kikuchi – Well, well, well, Where has buddy gone?!
Winning this year’s “Oddly Long and Confusing Title” Award, Kikuchi has made something that is pretty much as hilarious a Karakuri box as I have ever seen. The solution is not short but neither is it particularly difficult; the real awesome-sauciness of this box comes after it has been opened, where you find something whose purpose is not immediately apparent until you step back and look at the opened box with new eyes. I soon saw the purpose of this discovered trinket and full-on guffawed at the result of its use. I don’t mean to be so cagey about this but it would of course be a massive spoiler to say anything further.
The holiday theme is once again on full display, with Santa’s sled leading you deeper into the Christmas canon in a comically consistent manner. It is an adorably sized 61mm x 110mm x 68 and, as with Sugimoto’s box, some of the woods used are not immediately apparent; its cherry (?) outside hiding some dogwood and walnut once solved.
Yoh Kakuda – Boxing Kangaroo
What kind of Karakuri Christmas could it be be without a cute Kakuda creation like Kangaroo? It is adorable and amusing, with a design that is sure to make you smile. Despite perhaps being a bit predictable, I enjoyed the solve and felt compelled to repeat one particular step several times as Kakuda once again does a great job of integrating thematic elements into the box. Kangaroo is a good-sized 63mm x 110mm x 121mm, with padauk boxing gloves contrasting nicely with the cherry used for the majority of the puzzle (with an adorable magnolia nose). I noticed that the maker’s mark has changed a bit, with added english letters that stand apart from the more traditional hankos used by most other KCG members (and is pretty cool imo). Now I’ve just got to see how it fares against a Rock ‘Em Sock ‘Em Robot.
(I unfortunately traded my copies of Wombat & Tunnel Maker from 2019 & 2020, so no comparison pic)
And that’s 2021!
I’m already looking forward to whatever boxes KCG will produce in 2022 – time to renew my membership!
And now, the puzzles, presented in alphabetical order (by designer name):
Ze Super Stylus Pen by Stephen Chin
14.5 x 1.25cm
Stephen Chin is an amazing craftsman and puzzle designer, known for his sense of humor and seeming inability to waste wood; ordering puzzles from him pretty much guarantees that you will receive some nice napkin rings or a fun flippe top or something. He has made a number of cool take-aparts, like Ze Genie Bottle, La Boomba and Ze Tomago, as well as interlocking and coordinate motion puzzles like Ze Chinnyhedron, and the awesome Humpty Egg, an elliptical version(!) of Lee Krasnow’s Barcode Burr (with a face); all of his work displays his excellent skill as a craftsman, as well as his legit puzzling chops.
Stephen also makes some lovely wooden stylus pens that hide a very surprising secret: in addition to being a functioning pen (and stylus), it is also a legit sd take-apart puzzle. He manages to fit a multi-step puzzle in which you must discover and use tools in order to find a hidden treasure – perhaps the most amazing thing is that it is actually a good puzzle, not just because it is contained within a beautiful, working pen, but simply because it is well-designed and presents a solid challenge; that he achieves this using very limited space and resources makes it just that much more impressive a puzzle. And it is also a really nice pen (that can be used as a stylus).
Baffling Bolted Book by Louis Coolen, Adan Townsend & Allard Walker
18.2 x 12 x 3.8 cm, plywood, canvas, acrylic
One of four puzzle books in the picture, this is the product of a collaboration between three puzzlers made for IPP34 (“produced” by Allard Walker as his exchange puzzle, with most of the work apparently done by Louis Coolen of Coolen Lock fame). They made multiple versions of the fake book, all featuring the same puzzle inside with one of a few designs on the canvas wrap outside. The mechanisms are solid, typical of Louis’s work, and the book displays well, looking like a book except for a few intriguing bolts that can be seen along its “pages” (hence the name).
The puzzle consists of several sequential discovery steps to solve, opening a bit midway through and displaying a sneaky, subtle reference to the puzzle party as you search for the remaining steps needed to fully open the book. It has multiple interacting locks with some neat tricks used in their mechanisms. I was able to solve it in a single sitting, but it was by no means simple.
Once open, you are rewarded with an additional puzzle: a 2d packing, line symmetrical puzzle using three unique pieces that must fit into the parallelogram frame attached to the inside cover of the book. This probably took me as long as it took me to open the book, with a solid aha moment when the solution was finally found.
Pencil Stand 2 by Hiroshi Iwahara
9.6 x 9.6 x 14cm; Rosewood, Keyaki(Zelkova), Rengas, Zebrawood, Mizuki(Dogwood); RF-21-2; 2009
The first of several Karakuri puzzles on this list, I had been after this one for a while; of the various office Karakuri out there, this was among those I most wanted (although none as much as Ninomiya’s Desk Diary). It appears to be a lovely pencil holder, featuring four square towers of identical width and differing height, each featuring a different wood, the colors working together wonderfully.
When I initially got this puzzle, I had thought there was only a single compartment; I eventually learned from a passing comment from another puzzler that there had been a second version released, featuring an additional one. I had found the first pretty quickly upon first receiving the puzzle; this of course is the nature of some Karakuri boxes and did not take away from my fanboy appreciation of it (especially as the solve is fun to do). When I later learned of a possible second compartment, I set about the search to determine which version I had; after a bit of further exploration, I had to laugh as I found a sneaky second space – learning that more puzzling awaits you after reaching what you believed to be the full solution is a rare and surprising pleasure. I have found myself solving this one fairly often – there is something satisfying about the smooth movements that I find enjoyable, as with many Karakuri boxes. It is so very tempting to use it as an actual pen holder, but I am not, in fact, a crazy person.
Adhesive Tape by Yoh Kakuda
15.9 x 12.5 x 5.8 cm; Walnut & Burswood; KY-5; 2008
Like other Karakuri that resemble real world items, this oversize tape dispenser integrates a common aspect of the thing it represents into the puzzle mechanism. As always, it looks great and feels even better in your hands: solid and with a smooth, semi-loose tape wheel. While not difficult, the recreation of an everyday experience that is universal to the tape-wielding world is fun, and may not be quite as straightforward as you think. The real pleasure, however, comes when you find the compartment, which contains a delightful (and atypically useful) surprise. This was one of the rare boxes that led me to feel the need to share it with my wife, who reflected its uniqueness with an “oh, neat” (a big step up from the “that’s nice, babe” most boxes receive).
Coffee Cup by Akio Kamei
16 x 16 x 8.5 cm; Teak, Rosewood & Maple; P-12; 1985 (originally)
Coffee Cup is a Karakuri classic: the ubiquitousness of the actual coffee cup makes for an instantly recognizable work and its original release early in the Karakuri Club’s life helps to lend it the classic status it rightfully deserves. The two-toned, striped design is elegant and the darker wood inside the cup emulates a still cup of black coffee. It is rather oversized as compared to the typical cup of coffee, and comes with a separate spoon and sugar cubes, sized to sit alongside the cup on the lip of its saucer. Picking it up by the handle of the cup, you find that the saucer comes right along with it. The real pleasure of this puzzle comes from realizing that it is not just what you do to solve it but how you do it that really lends satisfaction to its solution (happy to explain what I mean if you ask); the end result is a puzzle that is not only fun to re-solve just for the fun of it, but is one of my go-to puzzles to share with an unsuspecting houseguest.
Safe by Akio Kamei
11.2 x 8.2 x 6.2 cm; Cherry; P-56; 2020
While not as common to an office as the rest of the puzzles here, I felt it was close enough to a practical piece of professional productivity as to justify its inclusion (somewhat to the back of the rest in recognition of this questionable pedigree). Safe is Kamei’s 2020 Holiday box and was one of the trickiest of the year (read my review of all of the 2020 holiday boxes for a bit more detail). It features the hash marks of a safe dial, as well two small triangular markers on the dial’s outside. The dial spins freely, making the impulse to attempt some form of safe-cracking pretty much a non-starter. Despite having been correct about a significant aspect of the solution, I nonetheless struggled for a while to successfully open it; having done so, it took even longer for me to work out how it worked, such that I could repeat it reliably.
Stapler by Akio Kamei
14 x 5.3 x 7 cm; Karin & Oak; P-43; 2008
The smooth, rounded edges of this puzzle’s dark wood make this as satisfying to be held as it is pretty to behold (…….sorry). Looking closely, you can see two wooden pins emerging like teeth from the stapler’s mouth (or whatever you call the place the staples come out of). It also comes with a flat piece of wood that proudly displays its name in both English and Japanese. You can click the stapler as one can any stapler, complete with a fidget-worthy click as your (sole) reward. The solution brings forth a surprise that is in some ways similar to that of Kakuda’s Tape (above), and is equally rewarding and amusing.
The Folder by Hideaki Kawashima
12 x 8.5 x 5 cm (folder), 8.7 x 5.6 x 3 cm (cursor); Japanese Torreya, Walnut & Maple; CO-4-2; 2012; Idea by Seiji Masuike
Created for the 4th Karakuri Idea Contest, this puzzle consists of two separate pieces modeled after everyday symbols found on computer screens the world over: the file folder and the mouse cursor. The use of opposing colors is striking and helps the cursor appear somewhat two-dimensional, as if the underside should fade into the shadows and be overlooked. The cursor’s build causes you to automatically want to hold and move it like a mouse; the underside has a protrusion that not only allows the piece to slide smoothly but to press down with a springy softness, furthering capturing the feel of a computer mouse. The puzzle is consistently thematic: the way it opens is unique and the space inside brought forth a good giggle when first discovered – this is another Karakuri I enjoy re-solving for the heck of it.
Yosegi Bookmarks by Yoshiyuki Ninomiya
12.5 x 4.5cm & 10.5 x 2.5cm
While not puzzles, these were crafted by the former Karakuri craftsman, Ninomiya, whose works are as hard to come by as they are pricey when found. The bookmarks are actually thin slices of yosegi, being the traditional form of Japanese marquetry for which he is well-known. At the age of 92 at the time of this writing, he has retired from work for the most part; I was happily surprised when I learned that he was releasing some new bookmarks, which I promptly purchased to complement the older one I had obtained some time before.
It is hard to fully explain how lovely these are: while they appear to be pretty simple in most pics, they feel and look amazing in real life. His work, as always, is exquisite, using patterns that are unique and complex; the tactile sensation when held is hard to describe: they feel delicate but sturdy, the differing woods a perfect blend of smooth and textured. The backs all feature his hanko, in case you couldn’t tell from holding them that they are the work of a master.
Memo Pad by Hiroyuki Oka
10 x 8.7 x 5.3 cm; Walnut, Mizuki/Dogwood & Purpleheart; H-10; 2008
Oka is also former member of the Karakuri Club, now focusing on crafting traditional himitsu-baku, the historic predecessor of the Karakuri trick boxes. His work is excellent, and if you are in the market for such puzzle boxes, he sells them via his Etsy store as well as directly through his website.
When the opportunity to get Memo Pad arose, I was quick to jump on it; not only is it a wonderful office-themed Karakuri box (which, if you haven’t noticed, I like), but it is the only one of his Karakuri creations that I have managed to obtain thus far. Memo Pad looks like, well, a pad of papers for taking down memos but much much prettier. There is a (fake) wooden pen with a (non-removable) pen cap, that can rest, standing up, in a small hole made for that purpose. The “paper” is made with the lighter of the woods, the grains resembling pages, similar to Bill Sheckels’ Book Boxes. The solution has a neat trick to it, that probably took me longer to find then it should have, and is fun to repeat.
Art Deco Clock and three Book Boxes by Bill Scheckels
If you watched the Beats & Pieces interview, you will have seen that my Art Deco Puzzle Clock contains a tilt sensor to open the “secret” door to my puzzle room (also shamefully known as my home office). While you may think it will now be easy to break in, please know that I did not disclose the secrets of the many many booby traps built into the threshold, enough to make One-Eyed Willy and Doctor Jones nervous; nor will it help you survive the vicious attack dogs in the room leading to it (they may look small, but they’re as fierce as sharks with frickin’ laser beams attached to their heads or a giant octopus destined to be cut in post-production).
It’s that time of year again: families gathering around blahblahblah……. we know what really matters: Karakuri Holiday Boxes! (If you don’t know about how the holiday boxes work, you can learn more here).
At the end of a strange year, I felt like Jimmy Stewart at the end of It’s a Wonderful Life when a big box of smaller boxes containing my new puzzle boxes arrived sometime in mid-December: “Merry Christmas Movie House! Merry Christmas you wonderful Building & Loan!” Merry Christmas Karakuri Puzzle Boxes! Now Dasher! Now Dancer! Now Prancer and Vixen! Now Kamei! Now Iwahara, Kawashima and Kakuda!
Over the course of the last year, I added more and more of the craftspeople at the KCG until I was on the list for 7 of the 8 boxes (sorry Fumio, I really did mean to add yours as well……). As in the past, I chose to resist the temptation of opening the boxes upon arrival, opting instead to hold out for Christmas morning. My mother-in-law always gets a kick out of seeing them, and it is one of the rare times when I can get my teenage son to look at something I like for a moment or two. Most importantly, the anticipation is fun and this year’s boxes did not disappoint! As is to be expected, all puzzles reflect the brilliant standards of Karakuri puzzles, working smoothly and looking even more striking upon close examination.
Pics of the boxes have been making the rounds on social media, and I wanted to break my too-long blogging hiatus with a review of (most of) this year’s boxes. For those who are not aware, the names of most of the boxes have not yet been released and can be expected in January.
Kamei’s box resembles a classic safe (3.5″ x 3″ x 4.5″): four tiny legs beneath an upright, rectangle, complete with notched dial that seems to spin freely. Picking it up, you can hear one or more somethings moving around inside. Kamei’s hanko is on the back of the box; it is pretty clear when you have solved the box and seeing the hanko on its outside helps to confirm that you are not missing anything once it is open. Finding the right approach took a bit of creative cat burgling – of all the boxes, this is the one that gave me the most trouble. I was pretty sure I knew what to do at the outset, at least to some extent, and while it turned out to be correct, executing it still takes a bit of focus. I’ve heard from other puzzles who are similarly confounded by how specifically it works, in some ways feeling similar to other boxes of Kamei’s that rely on mechanisms that make little sense, until they make total sense – while you may yet continue to struggle to understand how the concept is realized, you can at least understand what is happening. Of this year’s boxes, this is the one whose internal layout most confounds me.
Kawashima’s box was one of my personal favorites (even if I do feel like there is one small change that could have made it even better in my mind). It is the only puzzle this year to resemble a classic box (albeit a small one at slightly less than 3″). One panel is light colored, calling your attention to what will presumably be your goal. Kawashima may be guiding us a bit here, as it is pretty simple to make initial success, leading you through a few productive steps until you hit a wall hiding a couple added tricks that block you from further progress. Kawashima’s hanko awaits you when you reach the final compartment, after a nice, progressive solution. The box displays well with Iwahara’s 2019 holiday gift: Aquarius Box, which is slightly larger but features a similar aesthetic.
Iwahara’s Drawer (3.5″ x 3.5″ x 2.5″) is the box that offers the most puzzling, with an appearance that resembles this year’s Drawer with a Tree but features puzzling that is quite different. The hanko is important with this puzzle, as I briefly thought I had solved it after finding a fun series of steps to open and close it, before realizing I had not yet seen his mark. Some further exploration led to a happy, second aha as the fun-to-do mechanism is expressed in yet another step. The concept is well-executed, and it is the type of mechanism that I find fun to pick up and solve here and there; I have little doubt that this box will join the ranks of other fidget-friendly karakuri boxes that currently sit on my shelves. The puzzle has the added bonus of smelling particularly good, only increasing its re-solve value.
Kasho’s box features a UFO that spins elliptically above the whimsical crop circles adorning a flattened cube (approx. 2.5″ x 3″). At first glance, I thought it was a safari hat atop a button, which made decidedly less sense. It is pretty clear what to do at first, and opening the box is rather straightforward. However, the brilliance of this puzzle really takes a bit of imagination – this is the box that has perhaps grown on me the most, as I have stepped back to observe the solution and the kind of scene the craftsman was perhaps imagining. Basically, I have come to see that the entire experience encapsulates a story and I hope this is something that has occurred to other puzzlers, because, to me, it is what really makes this unique (happy to share this with anyone who wants to know, but I don’t want to give any spoilers here). There is one particular design detail that I especially like, and which perfectly finished the concept at play in the puzzle’s solution. I had high expectations for his box this year as his was my favorite of 2019; to be honest, I was a bit let down at first but, as I said, this is the puzzle that has most grown on me as I have (I think) gotten into the maker’s head a bit more, discovering the story the puzzle is (I think) intended to tell.
Once again, I had some wildly incorrect initial impressions, thinking this was an odd-looking snake-train thing (4″ x 1.5″ x 2.25″) whose tongue had fallen out. I don’t know where my mind is sometimes but once I was able to break through my dumbassery, I realized what was what and actually laughed out loud (rolling on the floor with a puzzle seems foolhardy and excessive). Realizing what it is, the way forward is pretty clear while being no less enjoyable for it. This is another fidget-friendly box that should not be overlooked; I think it requires some precise craftsmanship that may bely its playful appearance.
Kikuchi’s is the only box to directly reference the Christmas season; last year’s box featured a Christmas tree and this year’s box is a stocking (3.25″ x 1.75″ x 4.25″) stuffed full of presents! It is decidedly adorable and has a multi-step solution that is simple but fun and, once again, quite fidget-friendly. Kikuchi is the least prolific of the KCG members and this is the first puzzle of his to make its way into my collection. I didn’t realize it, but he has the most punk of the KCG hankos, eschewing traditional Japanese characters for a more stylized signature.
Yoh delivers on our animalistic expectations, with an adorable Wombat (3″ x 4″ x 1.75″) that is not only entertaining, but educational! I don’t want to give anything away, but after a couple straightforward steps, you are rewarded with a funny (and perhaps questionably desirable) reward. A conversation about the puzzle led me to google a particular fact about the Wombat, which has led me to be surprised that no other designer (to my knowledge) has taken advantage of this fun mammalian fact. Yoh’s hanko is displayed on the bottom of the puzzle, which led to a bit of confusion in more than one puzzler, as I heard a few folks may have thought they had solved the puzzle prematurely (which is pretty cool, as it features fair more fun than one first figured). Kakuda’s Wombat is adorable and smart, and packs an excellent punchline.